How to End a Love Story
When Helen was a teenager, her younger sister died by suicide. The driver of the car that hit her was Grant Shepard, Helen's classmate and town golden boy. Her family has never forgiven him, and Helen hasn't seen him in 13 years. When her popular YA novel is adapted into a new television show, she is shocked to find Grant in the writers' room with her. Grant knows that working with Helen will be tough, but he's doing his best to manage his panic attacks since the accident, and this is an opportunity he needs. The two have always been different, but can they come together for the sake of the project--and will they find that sparks fly when they do?
Kuang hit all the right notes in what I like in a romance novel, with a similar approach to Abby Jimenez in taking heavy and emotional storylines and infusing romance and a bit of humor (the heavy topics veered this away from rom-com territory, but there was levity). The writers' room setting added an interesting forced proximity element, with added professional tension and vibrant side characters. I'm looking forward to more from her. (And as an interesting aside, Yulin Kuang is the adapting screenwriter for Emily Henry's People We Meet on Vacation and the write/director of Henry's Beach Read. So she knows both romance and screenwriting well!)
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Publisher’s Description
Helen Zhang hasn’t seen Grant Shepard once in the thirteen years since the tragic accident that bound their lives together forever.
Now a bestselling author, Helen pours everything into her career. She’s even scored a coveted spot in the writers’ room of the TV adaptation of her popular young adult novels, and if she can hide her imposter syndrome and overcome her writer’s block, surely the rest of her life will fall into place too. LA is the fresh start she needs. After all, no one knows her there. Except…
Grant has done everything in his power to move on from the past, including building a life across the country. And while the panic attacks have never quite gone away, he’s well liked around town as a screenwriter. He knows he shouldn’t have taken the job on Helen’s show, but it will open doors to developing his own projects that he just can’t pass up.
Grant’s exactly as Helen remembers him–charming, funny, popular, and lovable in ways that she’s never been. And Helen’s exactly as Grant remembers too–brilliant, beautiful, closed off. But working together is messy, and electrifying, and Helen’s parents, who have never forgiven Grant, have no idea he’s in the picture at all.
When secrets come to light, they must reckon with the fact that theirs was never meant to be any kind of love story. And yet… the key to making peace with their past–and themselves–might just lie in holding on to each other in the present.