Cyril Avery was born to an unwed mother in Ireland in the 1940s--an unthinkable and shameful thing, at that time. Cyril is adopted by Charles and Maude Avery, who are indifferent and self-centered, but not neglectful.
From an early age, Cyril knows he's different: not a "real Avery," as Charles is quick to remind him, and realizing that he is not attracted to girls like his friends are--something that's even more shameful at that time in Ireland. In fact, Cyril harbors a deep love for his womanizing friend and eventual school roommate, Julian Woodbead.
The book follows Cyril through his life, from his youth and twenties spent in hiding and public denial in a repressive Dublin to a more open life in middle age in Amsterdam and New York. Cyril's search for identity, belonging, acceptance, and family is by turns funny, frustrating, and sad.
Some of the characters feel a bit like caricatures, but they serve to highlight some of the extreme attitudes Cyril, his mother, and so many others faced in those decades in Ireland. I loved this book, and though Cyril could be frustrating, I wanted to see him find happiness and contentment with himself.
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Cyril Avery is not a real Avery — or at least, that’s what his adoptive parents tell him. And he never will be. But if he isn’t a real Avery, then who is he?
Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead. At the mercy of fortune and coincidence, he will spend a lifetime coming to know himself and where he came from and over his many years will struggle to discover an identity, a home, a country, and much more.
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