I loved both The Secret History and The Goldfinch, so I have been eager to get to Tartt's less-discussed book. The synopsis makes it sound like it has elements of both of those books, but is also entirely different: The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet - unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss.

This is the story of a group of classics students at an elite New England college and their relationships with each other and an eccentric but compelling professor. The students seem to strive for elitism and arrogance, and often toe the line of morality. They eventually cross it when they kill one of their own. You learn this on the first page and then are drawn into the tale of how they got to that point and the aftermath.

None of the characters in this big book are likable, but they are compelling in their insularity and self-destructiveness. The Secret History is among my favorite books, but it is divisive–people seem to either love it or hate it.

When Theo Decker survives an explosion at the museum, his life is forever changed. His mother is killed, setting Theo on a journey to several homes and a rootless existence. Complicating Theo's sense of disquiet is his secret: in the confusion of the blast, he took a priceless painting that he carries with him through the years. When he finally finds a sense of home and belonging in an antiques business, Theo's secret could be his undoing. Tartt's book won the Pulitzer Prize and I found it just as compelling as The Secret History.